By Christian DiMartino
When it came to movies, 2013 started out very slow. With only a slew of special films, including Side Effects, Blue Jasmine, and Behind the Candelabra, 2013 had a weak start, but what a finish it had. Beginning with Prisoners, there was a five week marathon of great movies that included Rush, Gravity, Captain Philips, and lastly, 12 Years a Slave.
I usually like to save my “year in review” stories until around the time of the Oscars, this way it gives me a chance to catch up. So now, I have. 2013 had a lot of great movies, but yet there was plenty of bad, and I feel like the bad should not go unpunished. Here are the best movies of 2013, the worst, and then some.
The Best
10. Prisoners: Speaking of snubbed actors, Hugh Jackman gives the best performance of his career in the darkest thriller in years. Prisoners is a very grim thriller about the lengths that people would go to for justice. There is not a lot of love for it, but it might find its footing someday.
9. Dallas Buyers Club: After being practically re-born with a bunch of good career moves, Matthew McConaughey officially wows in a performance that might send him home with an Oscar. Jared Leto is also amazing (and might also win an Oscar). Dallas Buyers Club is a true story that needed to be told, and I’m glad it was.
8. Nebraska: Alexander Payne does not make good movies; instead, he makes great movies. His latest film, Nebraska, is no exception. Nebraska is a film that is mainly enjoyable if you’re a Payne enthusiast, like myself. It is a fascinating love letter to Payne’s home state and an often hilarious comedy. Bruce Dern gives the performance of a lifetime, and as does his on-screen wife June Squibb. This is not Payne’s best film, but it lives up to the greatness of his others.
7. Side Effects: Am I the only one that remembers this amazing movie, or am I the only one that understood the greatness? Steven Soderbergh’s final theatrical release begins as a fascinating drama that turns into an even more fascinating thriller. This is a wild, sexy, and constantly entertaining film that always throws surprises at you, and has possibly the best ending of any movie this year. Jude Law and Rooney Mara give their best performances yet, and that says a lot. If this is indeed Soderbergh’s final film, he went out with a bang.
6. American Hustle: Critics claim that David O. Russell’s latest film “out-Scorsese’s Martin Scorsese.” Now, I would not go that far, but I will say that I still loved American Hustle. This is Russell’s best movie yet. It is a funny, sexy, and consistently entertaining film that takes a fantastic cast (Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, and more) and lets them run wild and act with a capital A.
5. Blue Jasmine: Two years after winning his fourth Oscar for Midnight in Paris, Woody Allen has now delivered something even better. Blue Jasmine is his best work since Vicky Cristina Barcelona. This is a darkly funny, fascinating, and overall brilliant look at mental illness. But the movie may not have worked if it was not for Oscar-winner Cate Blanchett (or, should I say, soon to be two-time Oscar winner) in the title role. Blanchett’s performance will irk you, thrill you, and in the end, like the movie itself, leave you mesmerized.
4. Her: Spike Jonze does not make movies very often, but when he does, he usually makes something special. Her, his latest masterpiece, is strangely beautiful and beautifully strange. The romance between a human and an OS sounds ridiculous, but it really only SOUNDS ridiculous. The way that the romance is delivered is way more believable than one might think, and that is the films main success. Her surely is not your typical romance, and that alone makes it special. Theodore (the amazing Joaquin Phoenix) and Samantha (beautifully voiced by Scarlett Johansson) are the best couple in years, believe it or not.
3. The Wolf of Wall Street: Martin Scorsese’s latest masterpiece is his most controversial since The Last Temptation of Christ and his best since The Departed. Like with Travis Bickle from Taxi Driver and Jake LaMotta from Raging Bull, Scorsese has a gift for making terrible people compelling, and he does so once again with the films anti-hero, Jordan Belfort (Leonardo DiCaprio). In possibly the performance of his career, DiCaprio is so awesome you almost want this horrendous human being to get away with it. I’ve seen The Wolf of Wall Street twice within the past two months, and could easily see it again. It is the most strange, hilarious, vulgar, and entertaining three hours of the year.
2. Gravity: Alfonso Cuaron’s Gravity is filmmaking of the highest quality. Here is a film that looks like it was directed by God. The visual effects and cinematography are so impressive it does not even feel like this was filmed in a studio. In fact, Cuaron and his crew had to invent their own visual effects. Now that is real devotion. Sandra Bullock gives the performance of her career; a performance that makes her Oscar-winning role in The Blind Side look pathetic. Gravity is a gorgeous, thrilling, and undeniably spectacular spectacle that is mainly special in theaters. By some miracle, the 3-D actually helps the film. This is not just a movie that you watch; it is a movie that you experience. It is one of the best experiences I’ve ever had in a theater. It will leave you talking for light years after it’s over.
1. Getaway: Starring three-time Oscar nominee Ethan Hawke and Selena “Come and get it” Gomez. I’m joking, by the way. That movie sucks. It is, according to Rotten Tomatoes, the worst reviewed movie of the year. It belongs on a list, but it is not this one.
And the real best movie of the year is…
1. 12 Years a Slave: Like my #2 pick, 12 Years a Slave is not a movie that you watch; it is a movie that you experience, and what an experience it is. 12 Years a Slave is an extraordinary film. It’s a film that reminds us what great movies are. This is such a powerful, heartbreaking, and intense drama that it actually left me shaking long after it was over. Describing the power that this movie has is impossible. Just watch it, and find out. Chiwetel Ejiofor finally gets his big break, and delivers, and as does Michael Fassbender, Sarah Paulson, and Lupita Nyong’o. When watching this film, it is so obvious that director Steve McQueen and crew knew that they were making the best film of the year. How right they were. Bravo.
The Rest of the Best: Captain Philips, The Hobbit: The Desolation of Smaug, Anchorman 2: The Legend Continues, Behind the Candelabra, Philomena, Clear History, Saving Mr. Banks, Rush, Inside Llewyn Davis, The Hunger Games: Catching Fire, The Way Way Back, Spring Breakers, Enough Said, Star Trek Into Darkness, The Great Gatsby
The Worst
5. Admission: Tina Fey, Paul Rudd, Wallace Shawn, and Lily Tomlin are funny in any movie, but that movie is not Admission. Admission is a total misfire. It is a romantic comedy (I think) that is neither funny nor romantic. It is simply boring. Watching Fey and Rudd, two extremely lovable actors, fake chemistry is depressing. In the words of Hannah Montana: Everybody makes mistakes, everybody has those days.
4. Getaway: Speaking of mistakes, Ethan Hawke, who had a very successful year with The Purge and the indie-hit Before Midnight topped off the year with this box office flop. Why didn’t anyone see it? Because it’s awful. Basically, Hawke and Selena Gomez crash cars for 80 of the longest minutes of your life, and they continue doing so until the end, which, by the way, is also terrible.
3. Scary Movie V: This pretty much went without saying, but it still needs to be mentioned. As a fan of the original film, it is sad to realize just how dumb the series has become. It does not even mock scary movies. It mocks a few, but also focuses on Rise of the Planet of the Apes, and there is even a reference to 127 Hours, one of the funnier moments. I laughed at the some of the Black Swan moments, but other than that, this is just painfully stupid.
2. Inappropriate Comedy: Once upon a time, Vince “The Sham-wow guy” Offer was an aspiring actor who made a terrible comedy called The Underground Comedy Movie. Now over a decade later, he is back… unfortunately. Offer’s jokes are so uninspired he even uses jokes from his last movie, and they still aren’t funny. He should just stick to infomercials.
1. The Lords of Salem: Nobody, besides die-hard Rob Zombie fans (and myself) know what this is. But after seeing The Lords of Salem, how can he have any fans left? In the hands of a master like Roman Polanski, this movie might have worked. But instead it is in the hands of Rob Zombie. I was never a fan, and now I’m definitely not a fan. Zombie is a moronic gorilla who lets violence and sexuality (and the two combined) get the better of him. The Lords of Salem is a hideous, stupid, unintentionally hilarious and tedious horror thriller that contains some of the ugliest images ever produced on film. The last half hour makes no sense, and it shouldn’t to anyone with sanity. Inappropriate Comedy is probably the worst movie of the year, but TLOS is the most painful.
The Rest of the Worst: Only God Forgives, After Earth, Jobs, The Host, R.I.P.D., The Canyons, Safe Haven, Movie 43, Gangster Squad
Biggest Surprise- Saving Mr. Banks: There was a lot of Oscar buzz surrounding this movie, and it just didn’t seem right, mainly because it didn’t seem that appealing. However, Saving Mr. Banks is just the opposite. It is a wonderful movie. Emma Thompson gives her best performance in years, and though it probably isn’t completely fact-based, it is still too wonderful to ignore. In the end, it didn’t get much Oscar attention, but it was definitely worthy of something.
Biggest Letdown- The Counselor: Judging from the trailer, The Counselor seemed so promising. A thriller directed by Ridley Scott (Alien,Gladiator), written by Pulitzer-prize winner Cormac McCarthy (No Country For Old Men) and starring Michael Fassbender, Penelope Cruz, Cameron Diaz, Javier Bardem, and Brad Pitt. It sounds too good to be true. As it turns out, it is. The Counselor is not the awful movie that it was declared, but it really is a letdown. A lot of the movie, such as Diaz’s performance, is on the right track, but yet the delivery sort of fails. Fassbender plays a character so underwritten that he doesn’t even have an actual name. There is not much to the other characters either. Everyone and everything in this movie, like its trailer, looks great, but isn’t. I had no idea what was going on the majority of the time. Apparently it had something to do with drugs, but none are present. I think the cast of The Wolf of Wall Street took them all. The conversations ramble on for so long that it is easy to lose track of the story. Overall, there is nothing really terrible about it, but yet there is nothing really good about it. This is one of those movies that simply doesn’t live up to its potential.
2013 had a fair share of negatives, but it more than compensated with its positives. It was such a good year for films that films such as Iron Man 3,Frozen, The Conjuring, Before Midnight, Frances Ha, and The Bling Ring, which I had plenty of admiration for, didn’t even make my top 25. A year so impressive that my least favorite of the Best Picture nominees is Captain Philips. That is a good year to me. 2014 has plenty of greatness in store too. Christopher Nolan is going to blow our minds again with Interstellar (Nov. 7), Wes Anderson, the king of quirk, is back with The Grand Budapest Hotel (Mar. 7), Tim Burton is back with a drama starring Amy Adams and Christoph Waltz called Big Eyes, and sequels galore. I don’t know about you, but I cannot wait.