Tag Archives: Her
‘Her’ proves to be both funny and heartbreaking
By Isaac Mathewson
Directed and Written by: Spike Jonze
Starring: Joaquin Phoenix, Amy Adams, Scarlett Johansson, and Rooney Mara
Spike Jonze has had a reputation as being one of Hollywood’s most interesting directors. His films Being John Malkovich and Adaptation have been hailed for being very bizarre while telling compelling stories that balance comedy and drama. However, this is his first screenplay and that is a much bigger stretch for him than just simply being the one who brings this film to life.
Luckily, he proves to be just as capable of writing as he is directing.
Her tells the story of introverted writer Theodore Twombly (Phoenix) in the futuristic (about 10 or 20 years from now) Los Angeles, who after divorcing his wife Catherine (Mara) purchases an artificially intelligent operating system (or OS), which has the unique ability to develop its own personality. The OS, named Samantha (voiced by Johansson), becomes friends with Theodore and their relationship begins to grow from friendship to love. However, things start to get really complicated between the two because she is a computer and not a person. Things get even more complicated when Theodore realizes Samantha’s secrets.
Over the course of the film, there is a subplot involving Theodore’s neighbor Amy (Adams) who is also going through a tough time in her life and is too dating an operating system. She serves as the secondary female protagonist in the film.
One of the most impressive qualities about the film is its depiction of the not-so-distant future and a world that is run by technology. What separates Her from other films of this kind is that it shows us what it would be like if a computer could not only develop a personality, but also feel and possibly love. This would be the equivalent of Siri being able to love.
The film looks really nice. Its cinematography and visuals make it seem like we have been transported to this time period. Apart from the OS’s, there are virtual simulators that people can purchase and they act as games and there are appliances that you can operate without buttons.
The acting in this film is superb. Phoenix has always been one of my favorite actors and he has shown that he is capable of both drama and comedy in the same film. Adams and Mara are also very good and they provide the audience the chance to know other characters and not just technological ones. Johansson is especially good. It is a shame that the Academy of Motion Picture Arts and Sciences does not give Oscar nominations to voice actors because she sure would be a good candidate if they did. She seems to be much more than a simple computer, but her own likable person with a good personality.
One major criticism I have is the ending. Without giving anything away, it is very sudden and there is not a lot of buildup to it. This prevents an otherwise good film from being a masterpiece, but it does not make the film bad, just not perfect.
Despite its flaws, I highly recommend this film. Fans of Jonze and Phoenix, or any of the other actors will probably get something out of it and even if you aren’t, its themes and ideas will probably fascinate you. This film will likely be a big contender for this Oscar season..
Motion Picture Rating: R
Strong language and brief graphic nudity
My rating: A
Columnist previews the final film releases of 2013
By Christian DiMartino
2013 has had a fair amount of good movies (Side Effects, Disconnect), but an overpopulation of bad movies (Scary Movie V, Getaway). However, there is still hope. The year is wrapping up, and Oscar season is around the corner. Translation: Movies are going to get good again. Here is what to look forward to the rest of 2013. Sure, not all of them are going home with awards, but some of them are kind of a big deal (wink).
5. Gravity (Oct. 4, PG-13): Oscar winner Sandra Bullock is getting rave reviews (the movie is also) for her role as an astronaut stranded in outer space. How can a movie like this work? Not sure. According to early reviews, director Alfonso Cuaron’s film supposedly does work, and very well. Consider it a done deal.
4. American Hustle (Dec. 25, Not Yet Rated): David O’Russell (Silver Linings Playbook, The Fighter) is on a role, and this just may be the one that sends him home with the gold. The first trailer looks terrific, and plus it brings back O’Russell’s finest alumni (Christian Bale, Bradley Cooper, Amy Adams, and Jennifer Lawrence), so how can it go wrong?
3. Her (Dec. 18, Not Yet Rated): Here is a film that will receive plenty of judgment and controversy, and that alone is exciting. Joaquin Phoenix, after doing an amazing job as a psychotic drifter in The Master, plays a lonely guy who buys a talking computer and… falls in love with it. Strange? Oh yeah. But it is nice to see a daring movie every once in a while. Also, director Spike Jonze (Being John Malkovich, Adaptation) is the king of strange movies, so it must be perfect. This is going to be the strangest movie of the year, possibly even the next 10, but I guarantee it will leave people talking for a while.
2. Anchorman: The Legend Continues (Dec. 20, Not Yet Rated): After many years of trying to get this movie made, Will Ferrell and co. have finally done it. Finally. Anchorman is one of the funniest movies ever, so the sequel better be worth the wait. The plot is unknown, but what is known is that numerous cameos (Tiny Fey, Meryl Streep, Kanye West, and more) are on the lineup. So, be there for Ron Bergundy this holiday season. He is kind of a big deal.
1. The Wolf of Wall Street (Nov. 15, Not Yet Rated): Wall Street movies are boring, but hopefully this one is far from it. Martin Scorsese, one of the greatest directors alive, rarely makes a bad movie. Same goes for Leonardo DiCaprio, who (fingers crossed) may finally get that fourth Oscar nomination. The trailer is fantastic, and it helps that Kanye West’s “Black Skinhead” is blaring throughout. This could either be a Scorsese masterpiece, or a Scorsese letdown. I truly hope it is the first.
There are plenty of other films, including Nebraska, The Hobbit: The Desolation of Smaug, Carrie, Thor: The Dark World, and The Hunger Games: Catching Fire, that did not quite make the cut. Hopefully, with these movies mentioned and whatever other Oscar hopefuls are out there, 2013 ends better than it began.