Tag Archives: Review

Vengeful Adaptation

By Joshua Green

Staff reporter

During recent years comic books have been adapted into film versions, and V for Vendetta is no exception.  The movie adaption of V for Vendetta was similar to its comic book counterpart, but proved to be quite different.  For whatever reason the movie was dissimilar, it still proved to have the same key underlying themes.

   The film adaptation for V for Vendetta was written by the two Wachowski brothers in the mid 1990’s.  Only after the Matrix trilogy was completed was the screen play given any serious consideration.  The Wachowskis offered James McTeigue the director’s role in the production of the adaptation.  The three working in conjunction came up with a final skit that closely mirrored V for Vendetta, but applied elements that linked better in our modern times.

   V for Vendetta was filmed both in London, United Kingdomand Potsdam, Germany, but the majority of the filming was done on indoor sets.  Only three scenes required specialized locations in Berlin in order to be shot.  The last scene of V for Vendetta actually required getting the British government involved in order to use Westminster in London. Prime Minister Tony Blair’s son is said to have added in granting access to the location, but the calms were denied by the film makers themselves. The film makers stated that it took several months and negotiations to gain access. Filming began in early March 2005 and continued until June 2005. V for Vendetta was shot by cinematographer Adrian Biddle, who died shortly after production due to a fatal heart attack.

   The film was choreographed in order to reflect David Lloyd’s noir styling he used in the comic. Dark scenes and gray tones give the feeling of a lifeless totalitarian government. The Shadow Gallery, V’s home in the comic book, was made completely by hand due to the lack of places with similar features. The Shadow Gallery is well built making it hard to tell if it truly exists. Anything of old culture that the government tried to erase like in the comic book are all contained inside V’s home with minor differences, but feels almost identical to the comic.

   The story of the movie does not take place after a globalnuclear war like in the comic book, but is separated by war and terrorism.  Great Britain is in shambles when the fascist reactionary force Norsefire comes to power.  Norsefire purges Great Britain from most of its woes but creates greater ones due to the loss of freedom.  The view of Norsefire quickly changes after a biological terrorist attack that kills a large number of people, allowing the group to seize total power.

   The film is full of Matrix like fight scenes that show the extent of V’s abilities. Action isn’t the main focus of V for Vendetta like it was in the Matrix, but shows the Wachowskis unique idea of action sequences. Hugo Weaving did an excellent performance as V despite his limitations of wearing the Guy Fawkes mask. His voice acting and body language helps visualize what V is feeling beneath the mask. Natalie Portman plays the film adaptation of Evey Hammond. She did well for the role considering she doesn’t quite fit the idea behind the comic book version of Evey. Portman is much older the Evey in the comic, and also does not fit the character of Evey well. The supporting characters appearedto have made up for the lack of accuracy in the film adaptation. All the roles are well played and the special effects are good for 2006. 

   V for Vendetta is worth watching even though to truly understand the movie I had to watch it a second time to understand the symbolism involved in the story.

“Kaleidoscope Heart” shows Bareilles’ beauty in words

Danielle Rehor
Staff reporter
Straight from Eureka, California, Sara Bareilles is making a name for herself and blazing the path for other laidback pianists and conservative musicians to come onto the scene.
When thinking of number one pop hits, generally what comes to mind is flashy and flamboyant artists. Bareilles captures her audience’s attention, but she’s glued to her piano; not into her outfits.

Bareilles’ major-label debut was Little Voice, which included “Bottle It Up,” “Gravity” and the major hit, “Love Song.” The album debuted on the US Billboard 200 at number 45, selling about 16,000 copies in its first week.

Bareilles’ sophomore album , Kaleidoscope Heart, has released one single, “King of Anything:” a mandolin armed kiss off. It has the potential to be another “Love Song” and blow the competition out of the water. Her opening track, “Kaleidoscope Heart” is a thirty second flicker of complete perfection. She sings all four parts and harmonizes with herself, A Cappella.

While Bareilles was writing Kaleidoscope Heart, which came out on Sept. 7, she experienced a case of writer’s block. The block was promptly cleared up with the writing of “Uncharted,” which has the lyric “Kaleidoscope heart;” the great imagery that became her title.

“Uncharted” became Bareilles’ focal point of the album with her other songs being bigger, bolder, and peppier as compared to the songs on “Little Voice.” “Uncharted” has meaningful lyrics including “Jumpstart my kaleidoscope heart, love to watch the colors fade, they may not make sense but they sure as hell made me.”

Bareilles has joined the green trend by selling a cardboard album, not hard plastic. The album is sold at Target with three additional songs, “Send Me the Moon,” “Gonna Get over You,” and “King of Anything String Version.”

Other stand out songs include “Gonna Get Over You”, an upbeat doo-wop pop song. Also, “Basket Case” has great lyrics: “Oh, send your armies in of robbers and thieves, to steal the state I’m in I don’t want it anymore. You’re begging for the truth, so I’m saying it to you, I’ve been saving your place, and what good does it do? Now I’m just a basket case.”

A singer compared to Fiona Apple, a pianist critiqued against Norah Jones, and with the looks of Vanessa Carlton; the best of the best, and record proves it. All in all, this is an album to please any fan of the 88’s or a fan of laid back coffee-house music.

‘Inception’ boggles mind

 

By: Amanda Millea

            In a world where reality and fiction collide, an innocent dream can become a nightmare. “Inception” may be the title of this mind-boggling movie, but in the movie, inception is actually the premise of extractor Dom Cobb’s (Leonardo DiCaprio) job. Cobb, through the power of extraction is able to steal other people’s secrets from any individual’s subconscious. The problem is that the job proved to be more dangerous than the extraction team had bargained for.

            A simple slip of reality into the dream can inhibit the team’s ability to tell what is real and what is a part of the dream state. This one job is Cobb’s last chance to make up for his fugitive charges, but throughout the extraction process, his goal changes from stealing an idea to placing one in the figment of the mind.

            Oscar nominee Christopher Nolan (“The Dark Knight”) wrote and directed “Inception.” Aside from an award winning director, the cast includes academy award nominees DiCaprio (The Aviator), Ken Watanabe (“The Last Samurai”), Marion Cotillard (“La Vie en Rose”), Ellen Page (“Juno”), Michael Caine (“Cider House Rules”). Other stars include Joseph Gordon- Levitt, Tom Hardy, Cillian Murphy, Tom Berenger, Dileep Rao.  The musical score was written by none other than the famous Hans Zimmer, who also worked with Nolan in “The Dark Night”. The music really added to the intensity of the action sequence and at times was the only thing heard in the film, and at times caused the audience to jump.

            DiCaprio truly draws the viewers into the story line with his character’s pressured lifestyle. The movie begins with his character washed up on a shore of an unknown place. From the very beginning of the movie, imaginations are set up to wonder what is and what could be really happening. “Inception” is one of those movies that requires a large attention span, or the viewer will be completely lost. This movie involves a lot of thought or it will make no sense.

            After this movie, there was a significant change in the way I dreamed. The night after I saw this movie, I went to bed just fine. However, waking up the next morning I felt almost disoriented. Thinking about this movie, there are still more questions arising every day. Just when it seems like the movie makes perfect sense, the human mind starts coming up with even more possibilities. I think the movie’s tagline says it best : “Your mind is the scene of the crime.”

                                                            Rating : 4/5 stars

‘Schmucks’ Dress to Impress

Avery Walts A&E

 

          From the opening song “Fool on the Hill” by The Beatles, I knew I would love this movie about the “schmucks” that surround us. Steve Carell, Paul Rudd, Zach Galifianakis, and a few side acts all make up the ingredients to a summer comedic wonder known as Dinner  for Schmucks.

          Carell’s Barry Speck is an IRS auditor who spends his spare time as a taxidermist, stuffing dead mice to create his unique works of art. Meanwhile, Tim Conrad (Rudd) is trying to work his way up the ranks as an L.A. financial analyst, but a catch is weaved into the story that tests his moral character.

          In order to land the job, Tim must attend a monthly dinner held by his boss, Lance Fender (Bruce Greenwood). Each person must bring the biggest idiot they can find to win. Tim’s morals are challenged by his girlfriend, Julie (Stephanie Szostak), who is offended by the task right away. This is where Barry comes in. Tim happens to nearly kill Barry as he sprints in front of Tim’s car to save a dead, germ-ridden mouse. This accident turns into a spark of freak genius for the dinner of mockery.

          Director Jay Roach echoes the laughter from previous works like the Austin Powers and Fockers trilogies by incorporating unexpected characters of mischief. Jemaine Clement (Flight of the Choncords) plays a bizarre artist who works along side Julie, creating larger-than-life pieces of himself in different animal forms. Now known as “that guy from The Hangover,” (Galifianakis) plays an employee of Barry’s who stands by his talent of “mind freezing.” Along with the wise guests at the dinner, perceived as fools, these characters add spice to the already hilarious tag-team duo that is Rudd and Carell.

          The slow start to the movie is overshadowed by the performance of Carell, who never fails to deliver the laughs. Again, he pulls out a weird character from his arsenal to bring the movie to life, just like his mice dioramas. It was a bit lengthy for a comedy movie, and the dinner was later in the film rather than sooner, but the comedic shenanigans camouflaged all the plot delays.

          Perhaps the best way to sum up Barry’s out-of-the-ordinary character is through one of his mice displays showing the famous “Last Supper” painting: “The Last Supper. They had bread and wine. For my last supper, I guess I’d go with shrimp scampi.” Add this all up and you have a recipe for disaster- a disaster in a Carell-Rudd fashion.

Rating:

3 out of 5 stars