Category Archives: Christian DiMartino

A&E, Christian DiMartino, Peter Hyle

‘Divergent’ movie divides student opinions

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By Peter Hyle and Christian DiMartino

Last night, the highly anticipated movie Divergent was released to theatres. It is rumored that this newly adapted book series will become the next big franchise like Harry Potter and The Hunger Games. Students at FC have mixed feelings regarding the hype the upcoming release has gained from media.

Students that have read the books are generally excited to see how the movie will compare.

“I’m really anxious to see the movie, mostly because the books were so great. I didn’t think it would make a good movie at first, but the trailer actually looks good. I have high expectations after watching it,” said junior Madison Rice.

Even students that did not read all of the books are still looking forward to the film itself.

“I really have no idea what it’s about, but from what I’ve heard I expect it to be very thrilling and exciting,” said senior Brittany Harris. “I’m sure it will be an interesting movie.”

Others, however, are worried that the film will ruin the unique qualities that made the books so popular.

“I honestly don’t know if I like the fact that the book has been translated into a movie. They can either follow the book pretty well or they can fill the storyline with useless, random junk,” said junior Allison Burkhart.

As for the Divergent movie turning into the next big franchise, students are unsure if it has what it takes to stand next to franchises like Harry Potter and The Hunger Games. 

“I don’t think people will give this movie any real attention because everyone keeps comparing it to The Hunger Games. The books are completely different and I’m sure the movies are too, but they just appear to be similar so everyone thinks it’s a rip-off,” said junior Lexie Byrd.

There are also some that think the movie deserves more attention and praise than the movies it is being compared to.

“I enjoyed reading this book more than The Hunger Games, that’s why I think it will be a better movie. People are going to go crazy over it,” said freshman Savannah Conrad.

Overall, most people who enjoyed the book seem to be anxious for the release of the movie, whether it lives up to their expectations or not.

“Whether it’s good or bad, it’s still going to draw in a lot of attention. My only real concern is that people will be turned away from the books if the movie is really bad. Trust me, no matter how the movie turns out, the books are still worthwhile,” said Rice.

Christian DiMartino, News, Peter Hyle

Cafeteria hosts Book Drive for Dr. Seuss Day

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By Peter Hyle and Christian DiMartino

Every year the cafeteria makes a special lunch for Dr. Seuss Day. Serving food such as green eggs and ham and grinch burgers, it has become a yearly tradition for the FC cafeteria workers. This year however, the cafeteria hosted a week-long book drive in honor of the author’s birthday.

“The purpose of the book drive is to give to a school with lower income children,” said food and nutrition manager Jody Kramer.

All of the books collected in the book drive are to be sent to Green Valley Elementary in hopes that they will encourage healthy reading habits.

“The National Education Association started these book drives 17 years ago. It focuses on motivating children and teens to read more through events, partnerships, and reading resources,” said school librarian Pamela Poe.

Weather interfered with Dr. Seuss Day, which was last Sunday and scheduled to be celebrated at FC on Monday. After the snow day and two-hour delay at the start of last week, it was decided that the cafeteria celebration would be held on Tuesday.

“Cooking the themed food is easy, fun, and my cooks love to do it because it’s something different,” said Kramer.

For most involved, the rewarding aspect of the week was collecting all of the books for the children.

“Roughly 50-60 books were donated into the box, which is great for the very first year we’ve done the book drive,” said Kramer.

“The entire drive is in conjunction with Reading Across America. We stopped officially collecting on Friday, but we will still collect any books that come in late.”

According to Kramer, the first book drive at FC, held in honor of Dr. Seuss’ birthday was an achievement.

“In my opinion, it’s a good day celebrating a wonderful author. Hopefully we can do the book drive again next year and it will be even more of a success. We have great kids and staff in this building that made the book drive possible,” said Kramer.

The donated books are put into boxes before being taken to Green Valley Elementary.
The donated books are put into boxes before being taken to Green Valley Elementary. Photo by Peter Hyle
A&E, Christian DiMartino

Oscar Watch: Columnist provides Oscar predictions and preferences

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By Christian DiMartino

The Academy Awards, which airs Sun. March 2, is drawing near, and the competition is getting tough. Some of the categories are obvious. That said, others, such as Best Picture, are up in the air. Here is what will probably win and what should win on the big night.

Best Director

Alfonso Cuaron- Gravity

Steve McQueen- 12 Years a Slave

Alexander Payne- Nebraska

David O. Russell- American Hustle

Martin Scorsese- The Wolf of Wall Street

Will Win: Alfonso Cuaron

Alfonso Cuaron is winning pretty much every directing award for his groundbreaking sci-fi film, Gravity. He is pretty much the one to beat. If anyone can take him down, it is McQueen. But count on Cuaron for this category.

Should Win: Alfonso Cuaron

Watch about ten minutes of Gravity, and it goes without saying. Each of these directors directed great movies, but none of them are quite as devoted as Cuaron. This is the greatest visual achievement since Avatar, and it is even better. This is a film that sounds nearly impossible to make, but yet Cuaron did it. It has been said that him and his crew had to create their own technology to bring the film to life. So, if anyone is truly worthy, it is Cuaron. McQueen is a close second.

Best Supporting Actress

Sally Hawkins- Blue Jasmine

Jennifer Lawrence- American Hustle

Lupita Nyong’o- 12 Years a Slave

Julia Roberts- August: Osage County

June Squibb- Nebraska

Will Win: Lupita Nyong’o

Jennifer Lawrence seemed to be the favorite at the start of the race, considering she won a Golden Globe. But now it seems like all of the attention is being directed toward Nyong’o for her performance as the tragic slave Patsy. Nyong’o is taking home the awards, and will probably take home the biggest one. It is not set in stone though. Lawrence could swoop in, because she recently won the BAFTA. This race is a tough one.

Should Win: Julia Roberts

There is no love for August: Osage County, so Roberts doesn’t stand a chance, but I thought this was her best work since Closer (2004). Roberts’ performance is borderline over-the-top, but yet it was one of the most entertaining performances of the year. Watching her fight with practically everyone onscreen helped the film’s entertainment value. This is a tough category, because all of these women, particularly Squibb and Lawrence, steal the show. Roberts is my vote. She probably will not win, but she should.

Best Supporting Actor

Barkhad Abdi- Captain Philips

Bradley Cooper- American Hustle

Michael Fassbender- 12 Years a Slave

Jonah Hill- The Wolf of Wall Street

Jared Leto- Dallas Buyers Club

Will Win: Jared Leto

It seems as if Jared Leto cannot be stopped. He is winning practically every award for his scene-stealing performance in Dallas Buyers Club. Leto does quite a transformation here, and the academy loves a good transformation.

Should Win: Jared Leto

Part of what makes Dallas Buyers Club special is its acting, and Leto is a huge contribution to that. Leto steals the show as the tragic transgender sidekick Rayon. Rayon is possibly the films best character, and Leto, who has been overlooked for such a long time, is too great to ignore. I am also a fan of Abdi, Cooper, and Fassbender, but Leto is a done deal.

Best Actress

Amy Adams- American Hustle

Cate Blanchett- Blue Jasmine

Sandra Bullock- Gravity

Judi Dench- Philomena

Meryl Streep- August: Osage County

Note: Sandra Bullock gives the performance of her career in Gravity, not in The Blind Side (the film that won her Best Actress). So I would like to pretend that the Oscar she won for that film was actually for Gravity.

Will Win: Cate Blanchett

Blanchett is practically a sure thing for her performance as the mentally unstable title character in Blue Jasmine. She is being showered with awards. If anyone can take her down, it is Adams, who also won a Golden Globe. But count on Blanchett.

Should Win: Cate Blanchett

Amy Adams is a great actress, and she definitely will win an Oscar someday, but not yet. Bullock’s case has been covered (a very close second). By now, Streep goes without saying. She’s amazing all the time. The same goes for Dench and Blanchett, but Blanchett’s is the best. Blanchett gives the performance of her career in the best performance of the year, and easily deserves her long overdue second Oscar. Jasmine is almost too interesting. She’s a woman so trapped in the past that she cannot come to terms with reality, and watching Blanchett self-destruct is possibly the best work from an actress since Natalie Portman in Black Swan. So, to summarize, yes, she should win.

Best Actor

Christian Bale- American Hustle

Bruce Dern- Nebraska

Leonardo DiCaprio- The Wolf of Wall Street

Chiwetel Ejiofor- 12 Years a Slave

Matthew McConaughey- Dallas Buyers Club

Will Win: Matthew McConaughey

Ah, this is where things get tricky. The competition for this category has been hectic from the start. But all signs seem to be pointing towards Matthew McConaughey. He lost a ton of weight, and Dallas Buyers Club is a true story, and the academy loves both of those things. They love transformation (even though Christian Bale wasn’t nominated for The Machinist, the craziest transformation ever, and gained a bunch of weight for American Hustle).Aside from that, he truly is fantastic. He is winning pretty much every award he is nominated for. There is a slight chance that someone else could swoop in, but it is not likely.

Should Win: Leonardo DiCaprio

All of these performances are terrific. Actually, it is pretty difficult to rank them. Once upon a time, Matthew McConaughey was a second rate actor. But now it seems like has really proved otherwise. He has become the actor he always should have been. That said, he has only been great for about two years, and does not deserve an Oscar quite yet. Leonardo Dicaprio, however, has been great for over twenty years, and has somehow never won an Oscar. The time is now. The fact that DiCaprio has not won an Oscar is outrageous, considering the fact that he has been so great for so long. DiCaprio gives possibly the performance of his career in this movie. He plays such a despicable human being, but yet DiCaprio makes this terrible person watchable. In fact, you sort of want him to get away with everything. DiCaprio has never done anything quite like this before, and it is definitely a bold performance, considering the content that is put on display. McConaughey will win, but it would be nice if the academy came to their senses and finally gave him the Oscar.

Best Picture

American Hustle                  Nebraska

Captain Philips                   Philomena

Dallas Buyers Club              12 Years a Slave

Gravity                              The Wolf of Wall Street

Her

Will Win: 12 Years a Slave

Ah, this is where things get even trickier. Gravity began this race as the favorite. Then came the arrival of 12 Years a Slave, which then became the favorite, and remained the favorite. Then American Hustle arrived to theaters in December and hustled its way into the race. So now the race is down to these three. Momentum for American Hustle seems to be gaining. With that said, I think we’re all overthinking this. 12 Years a Slave was the favorite for so long, and at the end of the day, there is no way that it can lose.

Should Win: 12 Years a Slave

This category is basically a toss-up between 12 Years a Slave and Gravity, but at the end of the day, there is no denying the power of 12 Years a Slave. Finally, for the first time since The Departed (2006), my favorite movie of the year actually stands a chance. 12 Years a Slave is a devastating, disturbing, raw, and intense look at possibly the ugliest chapter in America’s history. Solomon Northrup’s tale is one that truly needed to be told, and the film’s secret weapon the magnificent Chiwetel Ejiofor. Ejiofor carries this film, and so does the entire cast. If you were not in tears by the end of this movie (something that rarely happens to me during movies), then you must have no soul. This is the best movie of the year.

Well, hopefully this gave a little insight on what to expect on the big night. The race is tough, so don’t expect everyone to leave happy. In closing, there is really only one thing that must be said: TEAM DICAPRIO. Academy voters, please vote well.

A&E, Christian DiMartino

Oscar Watch: Columnist reviews the films of 2013

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By Christian DiMartino

When it came to movies, 2013 started out very slow. With only a slew of special films, including Side Effects, Blue Jasmine, and Behind the Candelabra, 2013 had a weak start, but what a finish it had. Beginning with Prisoners, there was a five week marathon of great movies that included Rush, Gravity, Captain Philips, and lastly, 12 Years a Slave.

I usually like to save my “year in review” stories until around the time of the Oscars, this way it gives me a chance to catch up. So now, I have. 2013 had a lot of great movies, but yet there was plenty of bad, and I feel like the bad should not go unpunished. Here are the best movies of 2013, the worst, and then some.

The Best

10. Prisoners: Speaking of snubbed actors, Hugh Jackman gives the best performance of his career in the darkest thriller in years. Prisoners is a very grim thriller about the lengths that people would go to for justice. There is not a lot of love for it, but it might find its footing someday.

9. Dallas Buyers Club: After being practically re-born with a bunch of good career moves, Matthew McConaughey officially wows in a performance that might send him home with an Oscar. Jared Leto is also amazing (and might also win an Oscar). Dallas Buyers Club is a true story that needed to be told, and I’m glad it was.

8. Nebraska: Alexander Payne does not make good movies; instead, he makes great movies. His latest film, Nebraska, is no exception. Nebraska is a film that is mainly enjoyable if you’re a Payne enthusiast, like myself. It is a fascinating love letter to Payne’s home state and an often hilarious comedy. Bruce Dern gives the performance of a lifetime, and as does his on-screen wife June Squibb. This is not Payne’s best film, but it lives up to the greatness of his others.

7. Side Effects: Am I the only one that remembers this amazing movie, or am I the only one that understood the greatness?   Steven Soderbergh’s final theatrical release begins as a fascinating drama that turns into an even more fascinating thriller. This is a wild, sexy, and constantly entertaining film that always throws surprises at you, and has possibly the best ending of any movie this year. Jude Law and Rooney Mara give their best performances yet, and that says a lot. If this is indeed Soderbergh’s final film, he went out with a bang.

6. American Hustle: Critics claim that David O. Russell’s latest film “out-Scorsese’s Martin Scorsese.” Now, I would not go that far, but I will say that I still loved American Hustle. This is Russell’s best movie yet. It is a funny, sexy, and consistently entertaining film that takes a fantastic cast (Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, and more) and lets them run wild and act with a capital A.

5. Blue Jasmine: Two years after winning his fourth Oscar for Midnight in Paris, Woody Allen has now delivered something even better. Blue Jasmine is his best work since Vicky Cristina Barcelona. This is a darkly funny, fascinating, and overall brilliant look at mental illness. But the movie may not have worked if it was not for Oscar-winner Cate Blanchett (or, should I say, soon to be two-time Oscar winner) in the title role. Blanchett’s performance will irk you, thrill you, and in the end, like the movie itself, leave you mesmerized.

4. Her: Spike Jonze does not make movies very often, but when he does, he usually makes something special. Her, his latest masterpiece, is strangely beautiful and beautifully strange. The romance between a human and an OS sounds ridiculous, but it really only SOUNDS ridiculous. The way that the romance is delivered is way more believable than one might think, and that is the films main success. Her surely is not your typical romance, and that alone makes it special. Theodore (the amazing Joaquin Phoenix) and Samantha (beautifully voiced by Scarlett Johansson) are the best couple in years, believe it or not.

3. The Wolf of Wall Street: Martin Scorsese’s latest masterpiece is his most controversial since The Last Temptation of Christ and his best since The Departed. Like with Travis Bickle from Taxi Driver and Jake LaMotta from Raging Bull, Scorsese has a gift for making terrible people compelling, and he does so once again with the films anti-hero, Jordan Belfort (Leonardo DiCaprio). In possibly the performance of his career, DiCaprio is so awesome you almost want this horrendous human being to get away with it. I’ve seen The Wolf of Wall Street twice within the past two months, and could easily see it again. It is the most strange, hilarious, vulgar, and entertaining three hours of the year.

2. Gravity: Alfonso Cuaron’s Gravity is filmmaking of the highest quality. Here is a film that looks like it was directed by God. The visual effects and cinematography are so impressive it does not even feel like this was filmed in a studio. In fact, Cuaron and his crew had to invent their own visual effects. Now that is real devotion. Sandra Bullock gives the performance of her career; a performance that makes her Oscar-winning role in The Blind Side look pathetic. Gravity is a gorgeous, thrilling, and undeniably spectacular spectacle that is mainly special in theaters. By some miracle, the 3-D actually helps the film. This is not just a movie that you watch; it is a movie that you experience. It is one of the best experiences I’ve ever had in a theater. It will leave you talking for light years after it’s over.

1. Getaway: Starring three-time Oscar nominee Ethan Hawke and Selena “Come and get it” Gomez. I’m joking, by the way. That movie sucks. It is, according to Rotten Tomatoes, the worst reviewed movie of the year. It belongs on a list, but it is not this one.

And the real best movie of the year is…

1. 12 Years a Slave: Like my #2 pick, 12 Years a Slave is not a movie that you watch; it is a movie that you experience, and what an experience it is. 12 Years a Slave is an extraordinary film. It’s a film that reminds us what great movies are. This is such a powerful, heartbreaking, and intense drama that it actually left me shaking long after it was over. Describing the power that this movie has is impossible. Just watch it, and find out. Chiwetel Ejiofor finally gets his big break, and delivers, and as does Michael Fassbender, Sarah Paulson, and Lupita Nyong’o. When watching this film, it is so obvious that director Steve McQueen and crew knew that they were making the best film of the year. How right they were. Bravo.

The Rest of the Best: Captain Philips, The Hobbit: The Desolation of Smaug,  Anchorman 2: The Legend Continues, Behind the Candelabra, Philomena, Clear History, Saving Mr. Banks, Rush, Inside Llewyn Davis, The Hunger Games: Catching Fire, The Way Way Back, Spring Breakers, Enough Said, Star Trek Into Darkness, The Great Gatsby

 

The Worst

5. Admission: Tina Fey, Paul Rudd, Wallace Shawn, and Lily Tomlin are funny in any movie, but that movie is not Admission. Admission is a total misfire. It is a romantic comedy (I think) that is neither funny nor romantic. It is simply boring. Watching Fey and Rudd, two extremely lovable actors, fake chemistry is depressing. In the words of Hannah Montana: Everybody makes mistakes, everybody has those days.

4. Getaway: Speaking of mistakes, Ethan Hawke, who had a very successful year with The Purge and the indie-hit Before Midnight topped off the year with this box office flop. Why didn’t anyone see it? Because it’s awful. Basically, Hawke and Selena Gomez crash cars for 80 of the longest minutes of your life, and they continue doing so until the end, which, by the way, is also terrible.

3. Scary Movie V: This pretty much went without saying, but it still needs to be mentioned. As a fan of the original film, it is sad to realize just how dumb the series has become. It does not even mock scary movies. It mocks a few, but also focuses on Rise of the Planet of the Apes, and there is even a reference to 127 Hours, one of the funnier moments. I laughed at the some of the Black Swan moments, but other than that, this is just painfully stupid.

2. Inappropriate Comedy: Once upon a time, Vince “The Sham-wow guy” Offer was an aspiring actor who made a terrible comedy called The Underground Comedy Movie. Now over a decade later, he is back… unfortunately. Offer’s jokes are so uninspired he even uses jokes from his last movie, and they still aren’t funny. He should just stick to infomercials.

1. The Lords of Salem: Nobody, besides die-hard Rob Zombie fans (and myself) know what this is. But after seeing The Lords of Salem, how can he have any fans left? In the hands of a master like Roman Polanski, this movie might have worked. But instead it is in the hands of Rob Zombie. I was never a fan, and now I’m definitely not a fan. Zombie is a moronic gorilla who lets violence and sexuality (and the two combined) get the better of him. The Lords of Salem is a hideous, stupid, unintentionally hilarious and tedious horror thriller that contains some of the ugliest images ever produced on film. The last half hour makes no sense, and it shouldn’t to anyone with sanity. Inappropriate Comedy is probably the worst movie of the year, but TLOS is the most painful.

The Rest of the Worst: Only God Forgives, After Earth, Jobs, The Host, R.I.P.D., The Canyons, Safe Haven, Movie 43, Gangster Squad

Biggest Surprise- Saving Mr. Banks: There was a lot of Oscar buzz surrounding this movie, and it just didn’t seem right, mainly because it didn’t seem that appealing. However, Saving Mr. Banks is just the opposite. It is a wonderful movie. Emma Thompson gives her best performance in years, and though it probably isn’t completely fact-based, it is still too wonderful to ignore. In the end, it didn’t get much Oscar attention, but it was definitely worthy of something.

Biggest Letdown- The Counselor: Judging from the trailer, The Counselor seemed so promising. A thriller directed by Ridley Scott (Alien,Gladiator), written by Pulitzer-prize winner Cormac McCarthy (No Country For Old Men) and starring Michael Fassbender, Penelope Cruz, Cameron Diaz, Javier Bardem, and Brad Pitt. It sounds too good to be true. As it turns out, it is. The Counselor is not the awful movie that it was declared, but it really is a letdown. A lot of the movie, such as Diaz’s performance, is on the right track, but yet the delivery sort of fails. Fassbender plays a character so underwritten that he doesn’t even have an actual name. There is not much to the other characters either. Everyone and everything in this movie, like its trailer, looks great, but isn’t. I had no idea what was going on the majority of the time. Apparently it had something to do with drugs, but none are present. I think the cast of The Wolf of Wall Street took them all. The conversations ramble on for so long that it is easy to lose track of the story. Overall, there is nothing really terrible about it, but yet there is nothing really good about it. This is one of those movies that simply doesn’t live up to its potential.

2013 had a fair share of negatives, but it more than compensated with its positives. It was such a good year for films that films such as Iron Man 3,Frozen, The Conjuring, Before Midnight, Frances Ha, and The Bling Ring, which I had plenty of admiration for, didn’t even make my top 25. A year so impressive that my least favorite of the Best Picture nominees is Captain Philips. That is a good year to me. 2014 has plenty of greatness in store too. Christopher Nolan is going to blow our minds again with Interstellar (Nov. 7), Wes Anderson, the king of quirk, is back with The Grand Budapest Hotel (Mar. 7), Tim Burton is back with a drama starring Amy Adams and Christoph Waltz called Big Eyes, and sequels galore. I don’t know about you, but I cannot wait.